We can all agree that the two greatest sins in television are:
Well, Game of Thrones this week managed to skirt alongside both TV crimes this week. First, the show embraced the philosophy of ‘why tell a story in 50 minutes when we have 90’ – I think we were all enthused about the idea of there being such an epic scale to GoT’s final season that they needed to push episodes to be movie length, but boy did the show not make a good case for it this week with a plodding episode.
And then there was the coffee cup.
What no one knew about Game of Thrones was that in Westeros there are Starbucks EVERYWHERE. And if you can’t go along with that, but you’re willing to accept the dragons existing, think again.
We know the Queen of Dragons enjoys a cup of joe because we saw the coffee cup on her table in a scene last night.
Obviously, you can check out all of the hot meme action regarding the cup online – or compiled in this handy Gizmodo article.
Meanwhile, The AV Club by way of embedded tweets, has accused Jon Snow of being a bad wolf dad. And they’re right.
Source: The AV Club
On this week’s Conan O’Brien Needs a Friend podcast, the special guest was Jimmy Kimmel. The podcast is a great listen for the most part, but my ears pricked up when I heard Kimmel mention that his TV network, ABC, at one point told him that they were looking to replace him with Conan. According to the ginger talk-show host, ABC never spoke to him about it.
Speaking of talk show hosts, Busy Phillips talk show for E! has been cancelled after seven months on air.
Hey guys. Just wanted to let you know my show BusyTonight won’t be continuing on the E network after May 16. I’m beyond proud of what we’ve built in such a short period of time and I’m hopeful we can find the right place for the show to live on. Goodnight you guys. I love you.✨
Aussie light-drama Seachange is back in production as of yesterday. Kerry Armstrong will join Sigrid Thornton and John Howard (the actor) in the revived show.
Source: TV Tonight
Related: I was taken with this tweet by director Corrie Chen:
Thrilled to join the creative team for what was a seminal Australian screen text. I’m utterly charmed by everything I’ve read so far and if you had told a young Corrie she’ll one day be directing Seachange she would have said “I don’t speak English”.
Top cast and creative team for @Channel9’s s SeaChange reboot @waynerblair @EveryCloud_TV @itvstudiosaus @ScreenAustralia @Screen_Producer @corriechen @Create_NSW @ADGdirectors https://t.co/CUUkcjdAO9
Brian Lowry has a review of the new HBO miniseries Chernobyl:
Beyond the political and scientific response, writer Craig Mazin and director Johan Renck humanize “Chernobyl” with tales of people impacted by the explosion and radiation poisoning, including residents, first responders and those dispatched on what amount to suicide missions — either immediately or from the cancer sure to follow — to fix the plant’s compromised core.
The LA Times has a great article spotlighting the executive talent from NBC’s Must See TV lineup from the 90s and how they are the same executives leading TV’s biggest shows.
The traditional TV landscape where NBC once ruled has been disrupted by the rise of prestige shows on premium cable and online streaming services. All the broadcast networks are scrambling to hold onto their diminishing audiences and cultural relevance. But the demand for the people who developed the arsenal of NBC’s high-quality hits of the 1990s — many of which have sustained their popularity thanks to online streaming — has remained. Must See TV veterans have helped shape some of the most groundbreaking shows of the Peak TV era, including “Homeland,” “The Handmaid’s Tale,” “Atlanta,” “The Americans,” “Orphan Black,” “Fargo” and “The Shield.” And five executives from the Must See TV era, are currently running network TV entertainment operations.
That’s partly due to timing. The executives who were in their 20s and 30s during their NBC years are now seasoned pros who have the experience of developing broad-appeal hit shows and maintaining their quality over 22 episodes in a season, an increasingly valuable skill in a market crowded by an explosion of TV programming options.
Source: LA Times